Comment on the toilet scene in The Rape of the Lock

Answer: Belinda’s toilet scene is very important in the poem, “The Rape of the Lock”. There are various reasons for the popularity of this poem. First, the whole scene is a delightful and perfect illustration of Pope’s mock-epic method. The whole scene is a parody of the arming of Hector in Homer’s The Iliad; every detail of the scene offers a ludicrously trivialized parallelism of Homer’s elevated, grand impressive description of the arming of Hector for the most crucial battle in the whole of the epic. The recognition of this parallelism elicits delightfully comic laughter from the reader.

Secondly, it is a scene that satirically presents the picture of the eighteenth-century aristocratic ladies for artificial make-up and wrote, for example, “The Lady’s Dressing Table” in his own characteristically cynical vein; he showed it as an evil and a good deal of anger. Disraeli is said to have observed this fad of the century in the following words:

And Addison too wrote in an issue of “The Spectator” about the abnormal preoccupation of the women with cosmetics: “The toilet is their great scene of business, the right adjusting of their hair and the principal employment of their lives.’ Pope’s description is more detailed, but his satire is not as harsh as Swift’s or even Addison’s; is amiable, and delightful.

Thirdly, despite the satirical implication, the lines have a positive significance o’ their own: they do not invite us to laugh at Belinda but to smile with her and be delightful and gay. In fact, according to the leading critics of the twentieth century of Pope, the whole scene is more a homage paid to Belinda’s beauty and charm than a satirical portrait.

Fourthly, the whole scene may be looked upon as an aesthetic statement of the whole eighteenth-century ethos of order. There is a mystic order on Belinda’s toilet-table, and she proceeds with all the things on the table. Through Belinda, Pope stresses the charm of elegance, refinement, systematic ordering, and so on.

Lastly, in these lines, Pope has written his most sensuous poetry. Sensuousness is usually associated with Keats; and the eighteenth-century poets, particularly Dryden and Pope, are said to be completely devoid of it. The lines constituting the toilet scene are exceptions to the rule, exceptions which throw significant light on Pope’s poetic power. As a poet, Pope too derived pleasures from sense and had the power to communicate them. The two lines –

“This casket India’s glowing gems unlock,

And al Arabia breathes from youder box.”

Excite both our visual and olfactory sense, and makes us perceive them through imagination.

For all these reasons, the lines of his scene are richly ambiguous as all good poetry is ambiguous; and Belinda’s character emerges both positively charming with her heavenly grace and satirical with her artificial gestures, and both co-exist at the same time.